Innovative tools for exhibition purposes:
environmental and damage assessment
Malta Centre for Restoration
29 October-3 November 2004
This training course was aimed at mid-career museum conservators. The
participants were from a broad range of specializations and from all over
Europe and beyond. It was very well organized and led by Dr Christian Degrigny
(head of Diagnostic Science Laboratories, Malta Restoration Centre and an
active) and Clara von Waldthausen (Photograph conservator in private practice,
Netherlands). It included theoretical presentations, demonstrations and
practical exercises, tours and since one of the organizers was French, a couple
very nice meals.
The starting point of the course was the importance of environmental conditions
for museum collections. This logically leads to monitoring the environment and
understanding the process of deterioration. But the main focus of the course
was showcasing the recent development of dosimeters, sensors and early warning
systems (EWS) to provide a quick and reliable indication of the risk of damage.
The course was held under the auspices the European Cooperation in the field of
Scientific and Technological Research (COST).
COST G8
COST is an intergovernmental framework for European cooperation in the field of
scientific and technical research, allowing the coordination on a European
level of nationally funded research projects. COST does not fund research;
rather it supports cooperation, funding and facilitating scientific workshops
and seminars, short-term scientific missions (1-8 weeks), training schools and
conferences, and dissemination. Although Europe-based, it includes non-European
members.
COST is based on Actions. These are networks of co-ordinated national research
projects in fields, which are of interest to a minimum number of participants
(at least 5) from different Member States. The duration of an Action is
generally 4 years. COST Action G8; "Non-destructive analysis and testing of
museum objects", was started in 2001 with the aim of achieving better
preservation and conservation of our cultural heritage by increasing the
knowledge in museum objects through nondestructive analysis and testing and by
improving the synergy between art historians, archaeologists, conservators and
natural scientists. The Action is chaired by Prof Annemie Adriaens (University
of Ghent) and it has been extended until the end of 2005
(http://srs.dl.ac.uk/arch/cost-g8/).
The G8 Action is made up of several Working Groups which coordinate research in
a specific field. WG3 deals with "Degradation processes, corrosion and
weathering". It was WG3 who designed this course. Much of the research
presented was carried out with the support of the EU and the course provided an
opportunity for research results to be disseminated.
The Programme
The first two days were devoted to the impact of environmental factors on
museum objects. The effects of temperature, RH, light and air-born pollutants
were explained and the influence of their interaction was stressed. Both Dr.
Hannelore Römich, coordinator of the LiDO project and Dr. Jan Wouters of the
royal Belgian Institute for Cultural Heritage, emphasized that the importance
and unpredictability of these synergetic effects.
Some monitoring tools were highlighted, presenting some of the recent EU funded
research projects in the field. These were:
The ERA (Environmental Research for Art Conservation) project, which was tasked
with developing a means for assessing environmental damage to paintings.
The MIMIC (Microclimate Indoor monitoring in Cultural heritage preservation)
project, builds on the work carried out by the ERA project, using coated quartz
crystals and measuring crystal oscillations and deterioration of the coating
(http://iaq.dk/mimic).
The MODHT (Monitoring of Damage to Historic Tapestries) project, which explored
mechanical and chemical damage of fibres and metal threads
(www.hrp.org.uk/webcode/content.asp?ID=706).
The IMPACT (Innovative modelling of Museum Pollutants and Conservation
Thresholds) project set out to develop a model of air pollutant behavior in
cultural heritage buildings (www.ucl.ac.uk/sustainableheritage/impact).
The MASTER (Preventive Conservation Strategies for Protection of Organic
Objects in Museums, Historic Buildings and Archives) project, developing early
warning systems (EWS) to improve preventive conservation strategies
(www.nilu.no/master).
The IDAP (Improved Damage Assessment of Parchment) project, aims to assess
damage to parchment and devise an early warning system (www.idap-parchment.dk).
The LiDO (Light Dosimeter for Monitoring Cultural Heritage), aimed at
developing testing of light dosimeters and their transfer to the market
(www.lightcheck.co.uk).
All these projects are discussed in more depth in Sophie Younger's account
(2005) and more information can be found on respective websites. Institutions
in the UK are involved in all these projects. They are mostly academic
institutions like Birkbeck College and the Centre for Sustainable Development
at UCL or large national museums like the V&A.
The course visited the Wignacourt Museum in Rabat, where EWS for the MASTER
project are being tested. Data for this project is collected simultaneously for
temperature, RH, light damage and pollutants, in an attempt to match sample and
real object degradation. Two sampling stations are set up within the galleries
and an additional one in the courtyard for comparison.
We were fortunate enough to visit the Hypogeum, Malta's famous underground 4th
millennium BC temple complex. The site had to be shut down due to algae growth
several years ago. The algae growth was caused by the high numbers of visitors
and lighting. In a research project led by JoAnn Cassar of the University of
Malta, the internal microclimate was monitored over several years and the
distribution of algae and visible water were mapped. With an air conditioning
system now in place to keep the environment stable in the upper levels, strict
control on visitor numbers and an automatic lighting system to keep light
levels to a minimum, the site is now open to the public. It has proved so
popular, that tickets must be bought several months in advance!
Two days were devoted to learning about the LiDO project and carrying out
experiments and exercises to test its usability. Two types of light dosimeter
were tested. They are both more sensitive than the Blue Wool Standards, to
enable early identification of potential problems. The reference colour-scales
also provide an equivalent luminous exposure (lux hours), which enables one to
calculate the real implications of cumulative exposure to light. As well as the
LiDO website, a short paper has recently been published on the LightCheck®
dosimeters (Römich, 2004). We were all encouraged to do our own light
measurement experiments in our own institutions. I was quite astonished by the
amount of fading which occurred in the liquid sunshine of Manchester during the
dark winter months. However, I found the reference colour-scales do not
accurately reflect the fading on the dosimeters and can be confusing to
interpret.
The last day of the course including a summing-up session and a visit to the
teaching labs at the Malta restoration Centre. The conservation courses at MRC
follow a specialism and each specialism has its own well equipped lab. During
the panel discussion the question was raised whether there is a place for
conservators in the COST G8 WG3 projects. The researchers currently involved in
projects tend to be scientists or conservation scientists, while conservators
wait on the sidelines for usable results. I think the exercises we all took
part in trying out the LightCheck® dosimeters prove that consulting your user
group is always a good idea. But beyond that I think most conservators would
find it very difficult to find time to get involved in research projects even
if their employers would allow them the privilege. I would, however encourage
anyone who is interested in getting involved in this sort of research to browse
the websites. There are certainly resources.
References
Römich, H. et al. 2004, LightCheck®: A new Tool in Preventive Conservation, V&A
Conservation Journal, No. 47, 17-18.
Younger, S. 2005, Report: Innovative tools for exhibition purposes: environment
and damage assessment, SSCR Journal Vol. 16, No.1,
Irit Narkiss
The Manchester Museum
The University of Manchester
|